• r2-198-10
    Dionysus, front view, detail. (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)
  • r2-198-20
    Dionysus, three-quarter view, overall. (Telif hakkı Sart Amerikan Hafriyat Heyeti / Harvard Üniversitesi)

Ekran Colonnade gelen Korint Başkent: Dionysos

Dönem
Early 3rd C. AD, Roma
Müze
Manisa, Arkeoloji ve Etnografya Müzesi, 7102
Müze Envanter No.
7102
Sardeis veya Müze Env. No.
S66.010
Malzeme
Mermer, Taş
Eserin Türü
Heykel
Heykelin Türü
Başlık, Mitolojik Figür
Yerleşim
Sardis
Alan (Sektör)
PA
Açma
PA
Locus
B MC Screen Colonnade
Koordinatlar
E42.5 / N71 - N72 ca *96.70
Bulunduğu Yeri
B
Tanım

The series of head capitals belong to the “screen colonnade” of ten double-engaged columns between the Imperial cult hall or “Marble Court,” MC, and the palaestra, Pa, at the E side of the Roman Gymnasium, B (Yegül, Bath Gymnasium Diss., 99). The colonnade is an integral part of the Court, and therefore must be dated to the same period. A monumental inscription on the architrave of the building is dedicated to Julia Domna, Caracalla, and Geta (name erased), and therefore must be dated to A.D. 211-212, the joint regnal year of Caracalla and Geta (BASOR 162, 42; Hirschland, Head Capitals). The other capitals in this series come from closely related colonnades--the screen in front of the hall to the N of MC, designated BE-N (Cat. 197, Cat. 209 Fig. 349-350, 367-368) and the Pa colonnade (Cat. 207, Cat. 208 Figs. 364-366). Some of the capitals, and casts of others, have been erected in the monumental reconstruction of this complex (Figs. 347-348; see also Hanfmann, Letters, 278, figs. 208-210).

There seems to be a major Dionysiac theme in the group of heads which survives: this includes Dionysus, maenads, and satyrs; in addition there are several heads of other divinities from the Olympian pantheon. Another thread which runs through this group is a series of references to Caracalla. Two of the heads may show an actual resemblance to him (Cat. 198 Figs. 351-352, Dionysus; Cat. 205 Fig. 362, Hermes) and a third (Cat. 204 Figs. 359-361) is reminiscent of Alexander the Great, for whom Caracalla had great admiration and whom he tried to emulate (M. Bieber, Alexander the Great, 76; L’Orange, Apotheosis, 39).

Dionysus wears a diadem which sits low on his forehead, making a slightly curved and prominent horizontal band which contrasts sharply with the deeply rounded curve of his chin. Entwined in the diadem are small bunches of grapes near the center and vine leaves toward the sides. Larger bunches of grapes hang down the sides of his head, together with long wavy strands of hair. His fine features are firm and sharply cut: eyebrows, which reflect the curve of the diadem; heavy lidded eyes with circular eyeballs placed high; flaring nostrils; and a slightly open straight mouth. He seems to be staring out into space with a dreamy, ethereal gaze.

This is a particularly attractive fragment, despite the damage. Remains of the capital are slight, including only fragments of leaves at his neck and a piece of the molding by the top of the head, but are enough to prove this was from the screen colonnade.

See Cat. 198, Cat. 199, Cat. 200, Cat. 201, Cat. 202, Cat. 203, Cat. 204, Cat. 205, Cat. 206 (Figs. 351-363).

Condition

Marble.

Cheeks, lips, chin, nose damaged. Small portion of capital with head preserved.

Boyutlar
H. 0.52, of head 0.25; W. 0.31; Th. 0.14.
Yorum
For similarity to head of Caracalla, cf. Vermeule, Imperial Art, pl. 163.
Ayrıca bakınız
Kaynakça
Published: BASOR187, 52, fig. 61; Hanfmann-Detweiler, Great Synagogue of Sardis, 31, fig. 8; Hirschland, Head Capitals, 18, no. 8, pl. 8b. Hanfmann, Letters, fig. 148.
Yazar
NHR